Sasha Court | Honey, I'm Home Ceramic Vase

$1,585.00 Regular price
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DESCRIPTION

Sasha Court – Honey I’m Home is a striking hand-built ceramic vessel that feels both ancient and deeply modern — a sculptural object rich with texture, movement, and emotional depth. Created by Canadian ceramic artist Sasha Court, the piece embodies her signature balance of raw organic form and quiet refinement, celebrating the beauty found in imperfection and the artist’s hand.

Its expressive silhouette and layered glazed surface create a sense of movement from every angle, allowing the vessel to function as both contemporary sculpture and decorative object. Whether styled on a console, pedestal, open shelving, or layered into a collected tabletop, Honey I’m Home brings warmth, soul, and sculptural presence into a space.

Handcrafted in stoneware in Halifax, Nova Scotia, each Sasha Court vessel is entirely one-of-a-kind — embracing asymmetry, texture, and the subtle irregularities that make handmade ceramics feel deeply personal and timeless.

A beautiful statement piece for collected interiors, layered homes, and spaces designed with intention.

DIMENSIONS

9" h x 8" w

MATERIAL

stoneware, glaze

ORIGIN

Halifax, Nova Scotia

ABOUT THE MAKER

Artist, Poet, Mother, Lover, Human - Sasha Court
"My work begins with a quiet impulse—an emotional thread i follow slowly into form. i build each vessel by hand, allowing its shape to emerge through intuition, rhythm, and response. the process is deliberate yet open, guided by a desire for harmony between form and finish.

i think of my ceramics as holding spaces—objects that contain not only volume, but feeling. there is an intentional coalescence in the way each form meets its surface: soft contours meet matte, textured finishes; structural weight is tempered by subtle imperfections. this meeting point—between shape and skin—is where the emotional resonance lives.

my work often dwells in dualities: strength and fragility, clarity and ambiguity, containment and release. i leave traces of the making process visible—finger marks, asymmetries, warps—as a way of preserving presence and care."