Sasha Court | Coming and Going Ceramic Vase

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DESCRIPTION

A sculptural ceramic vessel by Canadian artist Sasha Court, Coming and Going explores the quiet tension between strength and softness, structure and imperfection. Hand-built in stoneware and finished with an expressive textured glaze, the piece carries the raw beauty and emotional resonance that define Court’s work.

With its organic silhouette and painterly surface, this vessel functions as both decorative object and contemporary sculpture — equally striking styled on a console, pedestal, bookshelf, or layered into a collected interior. Visible traces of the artist’s hand preserve the intimacy of the making process, celebrating craftsmanship, movement, and individuality.

Each Sasha Court vessel is entirely one-of-a-kind, created through an intuitive process that embraces texture, asymmetry, and emotional form. Handmade in Halifax, Nova Scotia from stoneware and glaze.

Dimensions: 9” H × 6” W.

“My work begins with a quiet impulse—an emotional thread I follow slowly into form. I build each vessel by hand, allowing its shape to emerge through intuition, rhythm, and response. The process is deliberate yet open, guided by a desire for harmony between form and finish.” Sasha Court


DIMENSIONS

9" h x 6" w

MATERIAL

Stoneware and glaze

ORIGIN

Halifax, Nova Scotia

ABOUT THE MAKER

Artist, Poet, Mother, Lover, Human - Sasha Court
"My work begins with a quiet impulse—an emotional thread i follow slowly into form. i build each vessel by hand, allowing its shape to emerge through intuition, rhythm, and response. the process is deliberate yet open, guided by a desire for harmony between form and finish.

i think of my ceramics as holding spaces—objects that contain not only volume, but feeling. there is an intentional coalescence in the way each form meets its surface: soft contours meet matte, textured finishes; structural weight is tempered by subtle imperfections. this meeting point—between shape and skin—is where the emotional resonance lives.

my work often dwells in dualities: strength and fragility, clarity and ambiguity, containment and release. i leave traces of the making process visible—finger marks, asymmetries, warps—as a way of preserving presence and care."